It's turning out to be a great summer at the movies.
Daughters and i exchanged the hot sand and crowded beaches Sunday afternoon for a cool theater and Snow White and the Huntsman.
We were treated with a Tolkien type tale. The movie opened in the winter garden of beautiful, young queen who pricks her finger on a red rose blooming in the snowy landscape, and with only the voice of the Huntsman narrating, the familiar fairy tale background unfolds wordlessly, vividly, and beautifully.
These narrated opening bits are where the story telling was best; perhaps this is because the director's previous work has been high-budget advertisements, where visual is key and time to convey a message is minimal. The illness of the young queen and the compassion of her daughter are portrayed by a simple interplay of physician's hand on forehead, king's worried look, and little Snow's arrival with wounded bird, wrapped in lush costumes and tapestried chamber. Narration leads the onlooker into a battle field, where the king and his knights defeat a phantom army, shattering them into black, glass shards, and finding a barefoot, dirty girl cowering in a covered cart in the middle of the carnage. She lifts a beautiful, smudged face and big blue eyes to the king fresh from battle, and yep, you have it. He is smitten and we believe it without a word.

And so the widowed king is seduced into marriage to the Evil Queen, Snow's step mother.
Charlize Theron as the Evil Queen and Kristen Stewart as Snow White strike memorable, sometimes visually stunning poses, but at times you can actually see them setting up their poses, like models before a shoot. Take for example when the Queen throws herself on top of the King bent upon his annihilation, and there suddenly an awkward (again bare) foot sticking toward the camera.
Stewart is wonderful to watch.
Each pose tells a story, reveals character. . .through hair, costume, red lips, beautiful eyes. . .but she seems to fall just short of the true greatness when the flicker in a facial muscle or a widening of the eyes telegraphs an emotion, an epiphany, a dissembling. Too often, she is stuck in the same open mouth expression, innocent and compassionate but static.
Theron is able to make the miniscule facial changes, and when she looks over her shoulder at little Snow during her own wedding processional, she slides effortlessly from winsome beauty to jealous harlot.
Chris Hemsworth gets my vote for the best actor of all the leads; his eyes tell a thousand stories, even when the writing is clumsy.

Unfortunately, his Huntsman is introduced via the Tavern Brawl that ends up in Water Trough in the Streets, a tired cliche for the discouraged and embittered hero about to receive a cause to champion. But watery though his entrance may be, the Huntsman is a dynamic character, and Hemsworth's face and voice convey what his lackluster lines sometimes fail to do. My all time favorite scene in this movie is when he is talking to the dead Snow.
Cinematography was good here,too. Snow's little bare feet from the posterior shot at the foot of her bier were poignant. (Couldn't help but notice there were a lot of bare feet in this movie.)
Evil Queen's brother was disturbing. . .more than the loud theatrics of the queen. . .disturbing to the point that i must caution sensitive viewers. Just eww.
Dwarves were charming in a mean, gritty way. The blind dwarf provided moral center as the visionary or prophet, removing the Renaissance mask for physician when he is introduced (Doc?), and providing context when he points out to the others who Snow really is.
Have you not noticed, he asks, that all of their physical ailments have abated since she came?
Dark Forest was well drawn: creepy and beautiful. Perhaps the scenes ran a little long here; Snow seems to stumble over the same tree roots several times in her long run. A Tolkien-esque aerial view of the Forest would have helped to ground the scenes within.
Enchanted Forest was fresh and engaging. . .moss covered turtles. . .one-eyed mushrooms burping in a bog. . .flowers erupting into butterflies. . .stepping stones just under the surface in the river.

Costumes were important and sumptuous.

Snow's bodice and Queen's head pieces were reminiscent of the Disney version,and that was fun. Disney Queen's dragon-black gown gave way to a Bob Mackie/Alexander McQueen stunner of glittering feathers overlaid for a slick, close fitted, bird of prey look. However, Snow's leather jerkins under her skirts looked like a pair of skinny jeans and Mirror Man emerged like The Mummy dipped in bronze. Distracting. The villagers were draped in medieval dress, a grittier more authentic version than the sweet Disney animation, and i liked the historical accuracy. Life was hard and brief in those days.
The village of women with scarred faces was brilliant. There is a moral here. . .a theme faithfully executed from beginning to end that is powerful and relevant. Daughters and i are reading Beth Moore's So Long Insecurity together, and the timing could not be more perfect. Queen is more than an aging and vain beauty. She was reared in a culture where beauty was her ticket to salvation as well as her prison, and loss of that beauty meant man's ultimate treachery and betrayal. The Queen is the epitome of the insecurity that plagues the modern woman when youth and beauty are worshipped and a woman's cultural significance has vanished to a window of a few short years. Snow is given very few lines, and this becomes endearing when contrasted with the Queen's verbosity. The center of Snow's world is not Snow; she listens and this is a portrait of humility we need. What ultimately makes Snow unique is not Kristen Stewart's good looks but her portrayal of a gentle and quiet spirit that wins us, and the Huntsman, over. The movie is called Snow White and the Huntsman, but for this mama of two young women, Snow is the real hero.
Dear reader, it is easy to be a critic, and i offer these thoughts with the most complementary motive: this movie was thought-provoking and i recommend it to adults and older teens. To the talented actors, writers, and directors i give my sincerest appreciation; thank you for the entertainment. For my more sensitive viewers i refer you to Plugged In which will address issues of Violence, Sexual Content, and Profanity in such a way that you can make an informed decision about viewing.
Click here to find a link to a video of movie scenes set to the film's soundtrack major score Breath of Life by Florence and the Machine.
Click here for Summer at the Movies: Brave
Click here for a review of Hunger Games